The World in Multicolour

Alice Curry is the *WINNER* of the Kim Scott Walwyn Prize 2017!

in: Cultural diversity

Representing Lantana and cheering Alice on were our co-director Caroline Godfrey and author and referee Tom Moorhouse

A huge congratulations to Alice Curry, our Founder and Publisher and fearless leader, for winning the Kim Scott Walwyn Prize! The judges called her a ‘great role model for future generations starting out in publishing’ and said she ‘stood out for her radical switch from academia to starting up a publishing business that puts her passion and knowledge to practical use’.

The Kim Scott Walwyn Prize celebrates the professional achievements of women of promise in the publishing industry. It is open to any woman who has worked in UK publishing for up to seven years. Alice was one of five inspirational women shortlisted for the award – all ‘forces of nature’ in publishing. These are: Amy Durant (Publishing Director, Endeavour Press), Candice Carty-Williams (Senior Marketing Executive, Vintage), Sarah Braybrooke (Managing Director, Scribe UK) and Zeljka Marosevic (Co-Publisher, Daunt Books Publishing).

Alice Curry with Mary Beard

Alice with Mary Beard who gave a fascinating speech about feminism in antiquity

Alice’s thoughts on winning the prize…

This is an incredible honour and – a day after the ceremony – it still hasn’t quite sunk in. Lantana is a tiny, independent publishing house with a mission to open up a space for diverse voices in children’s publishing and I’m so thrilled that this award signals a move in publishing towards its margins – a sign of a more inclusive and welcoming attitude towards young houses and towards those who aim to spot gaps and see opportunities and try to make change where change is needed.

I believe this award celebrates not just the achievements of individuals but a whole collective of people working together to make change in the industry. None of us would be where we are today without the support we constantly receive – from colleagues, family, friends – and it’s this support that allows women like me and the other shortlisted candidates to channel our vision and passion into businesses or imprints or campaigns with a heart and a social conscience.

Alice Curry Kim Scott Walwyn Prize

Kim Scott Walwyn’s parents, who proudly honour their daughter’s memory with this award

I owe a huge debt of gratitude to my tiny team who are wonderful and who have backed me and my vision for Lantana from the start. I am also deeply grateful to Kim Scott Walwyn’s family and the judging panel for this incredible show of support and encouragement – it is a wonderful legacy and a real boost to the confidence of any woman starting out in this industry. My thanks also go to the sponsors of the prize – the Society of Young Publishers, National Book Tokens and the Publishing Training Centre – who offer much-needed financial support and formal training.

I want to acknowledge the other shortlistees – Amy, Candice, Sarah and Zeljka – who are all incredibly impressive women and will no doubt continue to achieve amazing things throughout their careers. And last but not least – to women in general, those often unsung heroes who contribute so invaluably to every business and every sector, just like Kim Scott Walwyn whose memory we honour with this prize.

Long may awards like this one inspire and encourage women – young or old – to take risks and dream big.’


Katrina and the Lantana team

Bringing drawings to life: an interview with Manuela Adreani

in: Children's books


Today, I caught up with brilliant Italian artist Manuela Adreani, illustrator of The Wooden CamelShe talked about her illustration process, the challenges and joys of creating art, and what she learnt about Kenya, where the book is set. Read on for a glimpse into the life of an award-winning illustrator!

Can you introduce yourself to our readers and tell them a few of your favourite things about living in Turin, Italy?

<img src="image.png" alt=""/>I have been drawing since I was young and I think creating is one of the most stimulating things. It is so fascinating to me. There’s something magical when I see the drawing coming to life. This is the reason why I’ve always chosen creative works.

I came to Turin to study animation. I was so lucky to find a job in an animation studio so soon after I finished a Master’s at IED (European Institute of Design), and so I decided to stay in Turin. Even though I can work from anywhere, it is difficult for me to leave. I rent a nice flat in the city centre, and so I can walk and use my bicycle to go anywhere. There’s a splendid veggie market so close to where I live! For a vegetarian, this is fantastic! Turin offers many cultural activities, too, and has many beautiful parks.

Do you think you have a particularly Italian or European illustration style?

I’ve never thought about it. I’d like to think that there are no borders. I love so many illustrators from all over the world, but I’ve noticed that when I draw, my mind often recalls the works of the great Italian painters.

Can you tell us how you go about creating your illustrations? What materials do you use?

I read the story a few times, and then I go through the words again and sketch a storyboard — in very small drawings that I almost don’t understand myself. When I’ve finished all the sketches, I draw them in their actual size. I scan the pencil drawings and colour them using Photoshop. I keep the pencil drawings and then I use brushes in the same way that I would use them on paper to give warmth to the end result. I love colouring. It makes me happy, dreamy and emotional. When I’m not very well I just can’t get the colours right.

Did you enjoy illustrating The Wooden Camel? What did you like about the story?

I did enjoy working on this story, although it was difficult because I knew so little about the Turkana people and I’ve never been to Africa in my life. I spent my time looking at the photos and videos I could find, trying to immerse myself in that place. The easiest part was to understand the loving attitude of the oldest sister of Etabo, because I am the oldest of three.

Have you learnt anything about Kenya that you didn’t know before? 

I really didn’t know the Turkana people so I had to learn how they live, what they do. They are so beautiful with their colourful beads and they have these delicate features. I love their sense of community. We don’t see that so much in the Occident.

Do you think it’s important that children have access to books that represent cultures other than their own?

It is very important to know other cultures. We live in a multicultural world, and knowing others through their stories is the only way we learn to respect and not be afraid of what might seem different from us.

What countries or cultures would you like to see represented more often in children’s books?

In my small career as an illustrator, I was lucky enough to illustrate covers showing the Indian culture and one story from the Native Americans, and then this story about the Turkana people in Africa. I guess I would like to see more of these kinds of books, as I don’t see them in Italian bookshops. We mostly have books representing Europe and America, as far as I can see, so there is a lot to do.

When you are not illustrating picture books, what other types of artwork do you create?

I still work on some animated series sometimes, and I find it very funny because it is almost like being an actor — which I could never be because I am a shy person.

<img src="image.png" alt=""/>Do you have any tips for aspiring illustrators?

This might seem funny, but my first advice is: take care of your eyes and the backs of your arms. Illustrators spend many hours sitting in a chair, and there are no holidays and few free weekends. Love what you do. And believe in yourself instead of the doubts that will always accompany you.

Thanks Manuela! You can find out more about Manuela and her beautiful and award-winning work here. To buy your copy of The Wooden Camel, please click here


Photo from Manuela Adreani.

Creating heaven on the backs of camels: an interview with Wanuri Kahiu

in: Children's books

<img src="image.png" alt=""/>This week, we celebrated the book birthday of The Wooden Camel.  To mark this special day, I called the book’s talented author, Wanuri Kahiu, and learnt about her home country Kenya and her delight in camels. She also told me about her version of heaven…

Congratulations on your first picture book, The Wooden Camel! Can you introduce yourself to our readers?

My name is Wanuri Kahiu and I am a storyteller — a filmmaker, mostly. And I live in Kenya.

What is The Wooden Camel about? 

The Wooden Camel is about a little boy who really, really, really wants to race camels but he’s too small. So his sister whittles him some wooden camels that he dreams to life, and rides them.

What are three things you think everyone should know about Kenya where The Wooden Camel is set?

We are a really generous people — we are very, very affectionate and loving. We have the most stunning landscapes on the face of the planet. And if you are accepted into a family, you are in that family forever and ever and ever. So if you are ever adopted by a Kenyan, it’s the best thing that could happen to you.

Why camels? And what made you decide to write a story about the Turkana people?

I’ve always been fascinated by the Turkana people, especially now since they are in a very challenging situation. Lake Turkana, the largest freshwater lake in the desert, is about to completely wither away because one side of the lake that supplies water is being dammed. The lake is on the verge of extinction. I’ve always felt a very special affinity towards that place and people, and so I try to draw awareness towards what’s happening in Turkana whenever I can. And why camels? Because I think they are one of the funniest creatures on earth. I think they have the silliest faces. And they spit, and they are long! They’re just the most curious creatures and I love them.

<img src="image.png" alt=""/>What do you think of Manuela Adreani’s illustrations for your book? Do you have a favourite illustration?

Oh my gosh, I love love love her illustrations. I LOVE them! I think they are so awesome and my favourite in the book — and I really want to frame it for my children’s room — is the one where Keti and Etabo are sitting in the tree. It’s so cute! You can have a boy and his goat, his best friend, in the tree at the same time and I just love it.

You are one of this year’s TED Fellows – congratulations! Can you tell us a bit about what this entails and what it means to be a role model for African girls & women everywhere?

I am really, really excited to be a TED fellow. I think it’s such an honour and it’s something that I have actively worked towards. I’ve been wanting to be a TED fellow for a long time and I never thought I could until I was ready. So I finally applied and I was amazed that I got in! Being a TED fellow is a dream come true. I don’t know if I’m a role model. I certainly hope that the work I do inspires. I’m excited to share my stories, especially with my children. They keep calling The Wooden Camel, ‘the camel book,’ and they keep asking to see it and when they’re going to get it. More than anything, I want to be able to leave work behind for my children so that they have an idea or a bit of an understanding about what I think about the world. So hopefully my work inspires them.

Can you tell me more about what it is you think about the world? What message do you hope children will glean from your story?

I have a friend who says that whenever he’s asked what his version of heaven is, he points to his work. I really believe in that. I believe that I create the people that I like in situations that are complicated and where they’re faced with such bravery and such courage. I feel like just the attitude itself is like a breath of heaven in the sense of a utopia, not necessarily a religious heaven, where we’re most at ease and most in sync with each other and we’re in harmony with the world and with the planet. In The Wooden Camel, I hope readers see that we all have dreams, and whether or not we know it, sometimes they’re fulfilled in ways we don’t foresee and they are fulfilled in ways that are not necessarily expected. So, it’s an encouragement to dream but to look for ways that dreams manifest because they don’t always come to you in the way that you expect — they don’t always manifest in the way that you imagine.

<img src="image.png" alt=""/>You have won many awards for your work as a filmmaker. What made you decide to write a children’s picture book? Can you share something about the differences between writing a picture book and writing a film?

I think writing a picture book is quite extraordinary because you’re sharing the story with the illustrator. So, when you begin to write and imagine, you do so without knowing how much the world will come to life, or how much more of the story can be told, not through words but through the illustrator. So it was this amazing orchestra of images and words that I had never expected that is kind of similar to film, because when you start writing film you don’t know what the final image is going to look like. You start to breathe one life into it, but when it’s taken on by the people that you’re working with, it becomes a completely different thing. And I think that’s the same thing that happened with The Wooden Camel.

Etabo dreamed of being a camel racer. Have you always dreamed of becoming a filmmaker?

I have always dreamed of becoming a filmmaker. It happened when I was sixteen. Before that, I wanted to be a nun, because I was in Catholic school, and a doctor, because my mother’s a doctor, and I wanted to be so many things. And then I realised that you could make film and it combined two of my favourite passions — being a telly addict and reading. And I was done! It’s a done deal.

Do you think it’s important that children have access to books that represent cultures other than their own?

Absolutely, and I can’t wait to get the whole Lantana collection! We already have Chicken in the Kitchen, and that was autographed by Nnedi [Okorafor]. My children love it. I think that if the very first sense of travel they have is through books, I would love that. I would love to introduce them to different places through what is being written by artists of those places.

And finally, can you give our aspiring authors any tips for their writing?

<img src="image.png" alt=""/>I think that the best thing to do when you’re an aspiring writer is to just write, and to write, and to write, and to write. I strongly encourage anybody who can to write and to find ways of writing. And even if you think that your story has been heard or is not original — whatever doubts you have, I still think you should write because you will always find an audience. And your first audience is yourself.

Thanks, Wanuri! You can find out more about Wanuri and her amazing work here. Watch her inspirational TED talks here. And to buy your copy of The Wooden Camel, please click here. 



in: Children's books

Happy book birthday to The Wooden Camel!


Etabo dreams of being a camel racer. One day he might even beat his older brother when they race. But with the price of water rising, Etabo’s father must sell the camels, and his siblings must find work. What will Etabo do now? This story of love and hope centres on the inspiring Turkana people of north-west Kenya.

Told with gentleness and humour, this heartwarming tale from Wanuri Kahiu and Manuela Adreani is about keeping one’s dreams alive.

Purchase your copy here!

‘Through its beautiful illustrations and charming story, this book opens a window into another culture while encapsulating a theme that will resonate with anyone who knows how it feels to hold onto their dreams against all odds.’ – Books for Topics

‘Beautifully illustrated! I smiled as I read this charming story of a young boy who finds unique ways to keep on believing even when it seems impossible.’ – Zahrah Nesbitt-Ahmed, African literature blog, Bookshy

‘Adreani’s scenes of the Turkana people of Kenya set against the harsh landscapes are truly beautiful and perfectly complement the soft, sympathetic humour of Kahiu’s text. A book to cherish, to share, ponder upon and discuss widely.’ – Jill Bennett, Red Reading Hub 

Making space to dream: an interview with Nansubuga Nagadya Isdahl

in: Children's books

This week, I asked Nansubuga Nagadya Isdahl some questions about her new picture book, Sleep Well, Siba and SabaShe talked about the challenges and joys of writing and the kinds of stories she wants to write about Africa. She also reveals something unexpected about her own dreams…

Congratulations on your first picture book, Sleep Well, Siba and Saba! What would you like your readers to know about you?

Thank you so much. I think one thing that I’d like readers to know is that I find writing painfully difficult, even though I write professionally (within the international NGO sector) and creatively.

What is Sleep Well, Siba and Saba about? What inspired you to write this story?

Sleep Well, Siba and Saba is in many ways about finding the beauty in the unknown, and even the unknowable. I like to think of Siba’s and Saba’s dreams in the book as special, inexplicable gifts they were given. The book is also about making space to dream–both literally and metaphorically. In a much broader context, the book is about expanding the notions of what life is like for ‘African’, in this case Ugandan, children. Often times children’s stories set in Africa focus on dearth–lack of water, lack of opportunity, lack of food. I wanted to focus on universal experiences like dreaming…. and losing things! I was inspired to write the story to create space for a broader narrative about the African/Ugandan experience. Also, I went through a stage in my life where I would dream things, and they would happen the very next day. I could not explain it and still cannot explain it. Finally, and most importantly, I was inspired to write the book so that I could capture a personally sentimental picture of Uganda that could be shared with my own children, namely my daughter, Nsaba.

What message do you hope children will glean from your story?

I think the message is simple: your dreams are powerful and they can be actualized.

You were born in the USA, worked in Uganda, and now live in South Africa. Can you tell us how these cross-cultural and multilingual experiences have shaped your outlook on life? 

My experiences across continents and cultures have shaped my outlook primarily by reinforcing this notion that we are all living, breathing beings moving through this life together. Our connections are rich and often unexpected and our lives are deeply woven together. And as strange as this may sound, the frustrations that I have experienced in every single country that I have lived (with both people and place) have served to strengthen my affection for this wonderfully beautiful human experience we share. There is no perfect person, no perfect place, no perfect culture, no perfect life. We are bound together in that.

What are three things you think everyone should know about Uganda where Sleep Well, Siba and Saba is set?

Well, excuse my biases, but Uganda likely has the most delicious produce (fruits and veggies) on the planet. It is also delightfully verdant and since Ugandans love to have a good time – you will too if you visit the country!

What do you think of Sandra van Doorn’s illustrations for your book? Do you have a favorite illustration?

Sandra managed to capture my own dreams in her illustrations. That is to say, I wanted a magical feel about the book–in both sound and image. This was a dream of mine. Sandra conjured up a magical world that extended far beyond my own imagination. In short, her illustrations are remarkable. My favorite illustration is that of Siba and Saba losing their sweaters. In this one, it’s as though Sandra drew a scene out of my own life. When I saw the illustration, it felt like I was looking at a memory. Now imagine that.

We love the dreams of Siba and Saba. Can you share with us one of your dreams for the future?

I dream unabashedly of meeting Michelle Obama!

Your prose has a soothing rhythm that makes it a pleasure to read aloud. Can you tell us more about your writing style?

I find longer form writing very challenging (although I do plenty of it for work). I also don’t have very much to say, in general. When I do have something to say, I like to say it in as pithy a form as possible. For many years, I could only write poems (creatively). Given that, I think brevity and rhythm characterize my writing style.

Do you think it’s important that children have access to books that represent cultures other than their own?

Absolutely! I love the notion of books as both mirrors and windows. The window (seeing other cultures, places, experiences, etc.) is just as important as the mirror (seeing your own culture, place, experience, etc.). Imagine being five years old and having access to 10, 20, 30 different cultural experiences through literature. That level of enrichment and engagement is invaluable. Ideally a child has access to both–the window and the mirror. We need to see others and be seen.

And finally, can you give our aspiring authors any tips for their writing? 

Get very clear about what you want to say (sometimes that may take years) and how you want it to make you and others feel. The ‘feel’ is the most important thing in my opinion. And then, proceed without caution.

Thank you, Nansubuga! You can buy a copy of Sleep Well, Siba and Saba here.

The second photo was taken at a Sleep Well, Siba and Saba storytime event at  The Alligator’s Mouth bookshop.